Sure, Cage may sometimes write a clunky line of dialog that doesn’t feel natural coming out of Ellen Page’s mouth.

It never attempts it, really, but there are certain moments in the game when the raw emotion, helped by some talented performances, rise above the clumsy story moments to genuinely engage the player. Beyond: Two Souls fails miserably at subtlety. What he has nailed, however, is a compelling (perhaps manipulative) character study of what it’s like to be someone with a gift you don’t want that others fear, except for the powerful, who view said gift-and you-as a useful tool. This time around, thanks in part to the focus on only one character, Cage manages to avoid any catastrophic narrative failures, although he still doesn’t craft the tightest plot or most quotable dialog. Heavy Rain made some inroads for cinematic games, but at the same time, there were some plot twists that relied on narrative cheats in order to keep the audience guessing. The story is told non-sequentially, jumping across different points in Jodie’s life from her early childhood to her eventual career with the American government, all the while emphasizing the sense of separation and alienation she feels over never having a normal life.Īt this point, many people who played Heavy Rain may be wondering how the story and writing ultimately stack up to that game. The main plot centers on Jodie Holmes-as played by Ellen Page-a girl with a constant companion a ghost named Aidan that acts an extra spiritual pair of eyes, ears and occasionally very lethal hands. Girl With Ghostīeyond: Two Souls starts out simply enough and then, in typical Cage fashion, goes to some strange, unexpected places. If you hated his previous efforts, it’s time to stop reading this review. So is it good? If you like David Cage, then YES, this game is good. That’s certainly the case with Beyond: Two Souls, his latest game, although as usual, the term “game” is a difficult one to apply in this case it’s not the sort traditional play that conventional audiences expect. Consequently, that means a David Cage game is hard to confuse with any other, and it also means that its lack of generic characteristics won’t appeal to as broad an audience. He’s a man that believes in a singular creative vision, and, as with cinema directors, impresses upon an entire project and team that vision.

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